The Friday Roundup – Smartphone Vlogging and AI Short Videos


How to Film a Vlog on Your Smartphone (Start to Finish)

One of the problems many people face when delving into the world of creating a vlog is that they see other vlogs and feel the process looks very complicated.

They see action shots, B-roll footage, snappy editing and in general, very polished products.

Whilst I would be the first to admit there are are a lot of things to do, it’s not really as complex as it seems from the outside.

The key to vlogging projects is having a process to follow and within each step, a set of goals to achieve.

Once you begin to break it all down into simplicities rather than complexities, vlogging begins to appear way more approachable.

In this video you can see step by step how to pull it off for yourself.


Introduction to PowerDirector AI Cinematic Shorts Tool

The folks at CyberLink PowerDirector have been pretty aggressive over the past couple of years in their development and introduction of AI driven features.

Personally I am not a blanket fan of AI yet but certainly there are times when some of these features can come in handy.

The one shown in the video below is a relatively new one called AI Cinematic Shorts.

The concept is that you provide a still image and then AI takes over to create an eight second short from it with music.

The two main uses of this that I can see are to use it to just create a section of a short video given that eight seconds is not much running time.

The other use could be to create B-roll from images shot that are similar to whatever the video footage is that you have.

The example shown actually looks pretty good.


What’s New in Filmora 16: Precision Editing Tools for Pro-Level Control

Now that the initial marketing hooha over the release of Filmora 16 has died down a little, we can safely take a look at what’s new and improved in this version.

There are two videos below covering pretty much everything with some good non-hyped demonstrations of those features.

For my money I am relieved to see that Filmora seem to have calmed down a little on the AI development and re-focused in the software itself.

Both the new masking and tracking modules are of particular interest to me as they will cut down time spent key-framing and adjusting enormously.

Part Two


Video Editor for Moms: How to Edit Family Vlogs Fast

A few weeks back Movavi released their 2027 version of the Movavi Video Editor.

Apart from a few other updates they added a new set of tools called Templates and Blocks.

Briefly, Templates are preset projects that have most of what you need for a completed project already within them.

All you have to do is swap out the existing footage, images or audio for your own and you are probably about 90% done at that point.

A few tweaks here and there and you are ready to publish.

The Templates are actually made up of Blocks which are independent sections within the template that make up the whole.

Blocks can be added to existing templates to extend them or can even be used in a project of your own making.

The video below shows exactly how both templates and blocks can be used to created a great looking video in very little time.


How to add animated reactions to your Let’s Play – Movavi Ideas

Another quick “How to” video for this week from the folks at Movavi.

Rather than focusing on the effect they show itself, I think it is more important to look at just how easy it is with an editor like this to do it.

Editors like Movavi are aimed at people who want cool looking video and effects but have neither the time or interest in manually doing them.

To counter this, the developers have created a wide array of ready made effects you can just drag and drop into place to get the job done.


I Got Zero Views for 7 Months. Here’s What Kept Me Going.

One of the great fallacies that still exists in abundance today is that “if you upload it, they will come!”

The thing to keep in mind here is that Field of Dreams was a movie and the reason “they came” was that it was written in the script!

Over the years I have interacted with so many people who were originally filled with enthusiasm about building an audience on YouTube, TikTok or whatever platform.

Within a matter of weeks I also saw most of those same people drop off and abandon the idea because of a lack of success.

No-one can guarantee that success but there are things you can definitely do to increase your chances and maintain your interest.

Here’s a great video from Chris Goor covering the subject and perhaps providing a little hope.


How Long Does It Really Take to Start Filming – 60 Second Studio EP.1

Carrying on from the previous entry on the theme of “reasons to give up on your YouTube dreams, we have a great video from Gabriel VIP.

When I first started shooting and editing videos for my wife on a consistent basis the absolute fun killer in that process was having to set up every time.

Whenever she would say she was ready to shoot the next video, I would sort of sink a little at the prospect.

The reason for that was twofold.

First it meant I would have to set up lights, camera, audio etc… again!

And secondly I would spend ages getting that setup exactly as it had been for the last time we were shooting.

Bear in mind my wife has a hawk-like detail detection radar and if it wasn’t EXACTLY like the last time she would spot it.

All of this very quickly led to a reluctance on her part and mine to shoot that next video.

This is a creation killer for just about everyone and in the video below Gabriel gives some great tips on cutting this down as a factor in your own endeavors.

For me, I eventually managed to set up a permanent space for shooting and life (and my marriage) became manageable again!


Fix Boring YouTube Edits in DaVinci Resolve

This is a tutorial from Casey Faris that I think is quite important for those of you who are posting to YouTube or other social media platforms.

Once you get the basics down pat the result is often a technically correct video that ends up being a bit of a yawn!

The difference between an accurate edit and an engaging one usually comes down to a few little tips and tricks that the pro’s use.

Casey covers a number of these and when you look at it you will realize that there is no great technical magic going on here, just attention to the details.


I Tested Every Pocket Camera… Here’s the One I’d Buy

I don’t really do equipment reviews or updates much on this site because it’s just way too much work to keep up with.

If you take a look around there are guides for how to make your own decisions, but no specific product reviews.

There are however a few sources I regularly use for such reviews that I know are relatively neutral about their approach and are not influenced by making sales.

Think Media is one of those sources and this week they have taken a dive into the world of pocket cameras.

If you are looking to make a purchase for something like this, this is a good resource to check out.



Key Takeaways

  • Creating a vlog seems complicated, but a simple process and clear goals make it manageable.
  • The PowerDirector AI Cinematic Shorts tool creates short videos from still images, useful for B-roll.
  • Filmora 16 offers new masking and tracking tools, streamlining video editing for professionals.
  • Movavi 2027 introduces Templates and Blocks, making it easier to edit videos quickly by using preset projects.
  • Persistent effort and practical tips can keep you motivated on platforms like YouTube, even when growth feels slow.

Panasonic 4K Cameras and KAIROS Bring Comic-Con Panels to Life


When thousands of fans gather for exclusive Comic-Con panels, everyone wants a clear view of the action, even from the back of the auditorium. At San Diego Comic-Con 2025, Show Imaging and Panasonic worked together to deliver an immersive live video experience for attendees.

The production team used three Panasonic AW-UE150 4K PTZ cameras and an AK-UC4000 studio camera to capture close-ups of speakers, audience reactions, and memorable moments, including George Lucas’s surprise appearance during a panel about the Lucas Museum of Narrative Art.

With Panasonic KAIROS, operators could switch between camera angles, add graphics, and manage video feeds in real time. Meanwhile, 18 Panasonic PT-RQ35 projectors displayed content across a massive 250-foot projection screen, helping fans throughout the venue follow every moment.

For live event producers, camera operators, and video production teams, Comic-Con demonstrated how professional PTZ cameras, live switching, and large-scale projection can work together to create a more engaging audience experience.

Learn more about Panasonic here

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Panasonic Cameras Bring FAUST Rock Musical to Audiences Across Kiel


The premiere of FAUST, an open-air rock musical in Kiel, Germany, reached far beyond the main performance venue. In addition to the live audience, the production was delivered to six public viewing locations throughout the city.
To capture the performance, the production team used four Panasonic AW-UE150 PTZ cameras, four AK-UC4000 broadcast camera systems, and two AW-RP150 PTZ controllers, along with aerial footage.
By combining remote-controlled PTZ cameras with traditional broadcast cameras, the production captured multiple perspectives of the performance and shared them with audiences beyond the theatre grounds. The project highlights how professional live production technology can help bring concerts, theatre, and other cultural events to larger audiences.

Learn more about Panasonic here

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PTZOptics Rise 4K Brings Software-Defined Innovation to PTZ Cameras


What if a PTZ camera could continue gaining new capabilities after purchase? That’s the idea behind the PTZOptics Rise 4K, a professional PTZ camera designed to combine broadcast-quality imaging with ongoing software innovation.

PTZOptics Head of Product Geoff Robinson recently discussed the engineering behind Rise 4K and how the company’s software-defined approach allows camera technology to evolve through updates. Rather than limiting a camera to its original feature set, continued development can add functionality, enhance performance, and support new production workflows.

The conversation also explored real-world PTZOptics applications, including a Move 4K installation at the City of Daytona Beach Fire Station and an immersive AV experience center at USK Electronics.
For livestreamers, video producers, houses of worship, and content creators, the Rise 4K represents an approach to camera technology that emphasizes both professional image quality and long-term flexibility as production needs change.

Learn more about PTZOptics here

LiveU Helps Eden Project Bring Nature Into Classrooms Worldwide


 

The Eden Project in Cornwall, UK, is taking its educational livestreams to the next level with LiveU technology, allowing students around the world to explore nature through interactive live video.

After reaching more than 75,000 young viewers in 2025 using a mobile phone and WiFi, Eden Project upgraded to the LiveU LU900Q, LiveU Studio, and LiveU Audio Connect. The new setup provides more dependable connectivity, cloud-based production, and communication between presenters working across the site.

Through its free, twice-monthly Eden Project Live Learning sessions, students can explore the site’s rainforest biome and other environments while asking questions and participating in live polls.
The project highlights how LiveU’s remote production and cloud streaming tools can help small teams create engaging, professional-quality educational content without requiring a large broadcast crew.

Learn more about LiveU here

Read the original article here

The Friday Roundup – Music That Fits and Looking Professional


You’re Using Music Wrong in your Videos (here’s how to fix it)

Selecting the right music to fill the background of your videos, or to add moments that enhance the emotion you are trying to evoke, can be a tricky process.

On top of this, music selection is probably one of the more tedious tasks any video editor has to endure!

Choosing b-roll footage is far more straightforward because you can tell at a glance as to whether the footage is suitable, or not.

Not so with music because of two factors that drag out the process.

The first of these is that the search functions on most music download sites are absolutely terrible, with all sorts of music categorized and indexed very, very badly.

The second is that once you get to what you believe to be the right genre or style, you have to wade through mountains of music to find what you are looking for.

Doing that involves waiting for the track to load, listening to enough of the track to get an idea of how the piece is going to play out, and then decided if you want it or not.

Lather, rinse and repeat over and over until you get to the right one.

There is no way I know of to lessen this pain, but what I do know is that the best way to approach it is have a very clear picture in your mind as to what you are really looking for, and stick to that plan.


These Simple Changes Will Make You Look PRO on Video

At a surface level, the average talking head video looks to be a pretty simple style to pull off effectively.

However, if you have watched any amount of videos produced in this style you may have noticed that some tend to seem more engaging than others.

This video covers some of those reasons, and the simplicity of the actions you need to take to get it right will surprise you.

None of these tips are in any way extreme or dramatic in their implementation.

They are just a collections of little tweaks that can make all the difference between holding an audience or having them drift off and click away.


Overview of PowerDirector Screen Recorder

Back in the bad old days in order to record your computer screen to video, you had to fork out some serious money for specific software to do that!

From memory I think the really good ones used to run at around 200 US dollars or more!

At some point many of the popular video editing programs began to include a free screen recorder, and although they were pretty basic, they got the job done.

Recently a few of the bigger video editing programs have updated their screen recorders mainly due to the demand for more flexibility in what you can do with them.

PowerDirector did this quietly a while back but at the time no-one really paid particular attention to it.

This week Sharper Turtle has taken up the challenge in response to a viewer question, and it’s well worth taking a look.

These days the PowerDirector screen recorder is definitely not your grandpa’s screen recorder!


Basic Training with Adobe Premiere Elements 2027, Part 2 of 8

This week we move on to Part Two of the Adobe Premiere Elements 2027 basic training from Steve Grisetti.

Now that the new generative AI features and basic user interface layout have been covered, we move on to starting an actual project!

Importantly Steve demonstrates how to correctly set up your new project so that everything that follows, goes smoothly.


How to Make a Paper Rip Transition – Movavi Ideas

Last week I posted an update on the recent release of Movavi 2027 and their new feature using Templates and Blocks.

In a nutshell, templates are presets that have all the component necessary for a complete project you can use for your own.

All you have to do is add your footage or any other assets and you are done.

Blocks are preset sections that can be added to any template or project and again, they are fully formed and all you do is add your own footage etc.

In this demo from the folks at Movavi you can get a real feel for how easy it is to create completed sequences using Blocks as part of a project.


Filmora 16 Review: Hand-on All New Features of Wondershare Filmora 16

Over the past few weeks a few of the major video editing app have updated to the versions they will be carrying through to the end of the next upgrade cycle in late 2027.

The latest one is Filmora from Wondershare moving from the version 15 series up to Filmora 16.

As is usually the case, Wondershare themselves have created a bunch of videos highlighting the new or improved features in this new version.

The problem here is that those videos do not really show in any real sense, exactly how and why these features exist.

They are strictly exercises in marketing, showing off lots of bright shiny things designed to make us all want to go out and upgrade immediately.

I tend to keep away from all of that and go for something a little more realistic.

So with that in mind, here’s a video from Jacky covering all that’s new and improved from a far more realistic perspective.


6 CapCut Text Tricks That Make You Look Like a Pro Editor

Another text tutorial for this week from Dina and Agnes, only this time a slightly different take on it.

In this weeks video they go quite deeply into the subject of positioning and animating text graphics on the screen.

They cover techniques like placing the text behind the subject, angling the text to match the lines in the image, 3D text and much more.

Just bear in mind the old rule for when it comes to advanced effects in any video editor which is: Just because you can, doesn’t mean you should!


How to Film Yourself When There’s No One to Help You

I see a lot of online videos, especially of the short form variety where someone just grabs their phone and starts talking.

As a result they end up creating a video that is just a bunch of jump cuts stitched together, and often you can see them thinking about what they are going to say next.

This is an instant retention killer because the key element of communication with the audience has been lost.

This video seeks to eliminate that by covering camera position, how to check your own frame without a crew, B-roll that works all from the perspective of working alone.

It shows what doesn’t work and why, and a beginner version you can do today with a phone and a tripod.


Fix Bad Audio in Fairlight – DaVinci Resolve 21

In this next video Jason Yadlovski gives a very comprehensive walkthrough of correcting various types of audio problems in DaVinci Resolve.

The strategies he covers do not necessarily require that you have the Studio version of Resolve so anyone can follow along using the free version.

As a side note here: Even of you are not using DaVinci Resolve as your video editing app, this tutorial provides the fundamental knowledge you need to correct and improve any of your own audio tracks.


Master Cinematic Lighting In 20 Minutes

OK! So let’s not get too fooled by the clickbaity title of this entry on cinematic lighting!

The idea that you are going to be producing Hollywood standard footage by applying the techniques in a twenty minute tutorial on lighting is a bit unrealistic.

However what I do know is that one of the key elements in getting your footage to look as good as it can, is by understanding how to use light to your advantage.

So after watching this tutorial, will you be able to walk on to a Hollywood set and get the lighting right?

Absolutely not!

Will you improve your shots as a result of using this information?

Probably.


How to Make Clean & Professional Motion GFX for Your YouTube Videos – DaVinci Resolve Tutorial

I see a lot of videos these days that display quite a professional standard of both shooting and basic editing skills.

I think that’s because of the availability of recording devices like smartphones, and the fact that storage media lets you just delete mistakes and shoot again.

Similarly, access to reasonably well equipped editing software for post production has also become way easier than in the past.

So if there is one thing I see more often than not that drags the quality of a video down, it has to be graphics.

The problem with video graphics is that it requires two distinct skill sets to pull off successfully.

The first is an understanding of how to design graphic elements in a way that communicates effectively to an audience without being a visual distraction.

The second skill is understanding how to physically create those graphics inside the video editing software you happen to be using.

What I most often see is graphics design and implementation that is way too complicated than necessary.

The result of this are graphics that either fail to communicate or are so distracting that they interfere with the viewing experience.

In the linked video Casey Faris takes us through some simple graphics design and creation that keep things uncomplicated and to the point.



Key Takeaways

  • Selecting the right music for videos is challenging due to poor search functions and lengthy decision-making processes.
  • Making simple changes can significantly enhance the engagement of talking head videos.
  • PowerDirector has updated its screen recorder, making it more flexible and user-friendly than before.
  • The article covers various video editing tutorials, including training for Adobe Premiere Elements 2027 and creating motion graphics in DaVinci Resolve.
  • Overall, the article highlights easy fixes and tools to improve video quality and editing skills.

Panasonic AW-UR100 Captures Outdoor Sports and Live Events in 4K60p


Fast-moving sports and outdoor events demand cameras that can keep up with the action. The Panasonic AW-UR100 outdoor PTZ camera combines professional 4K video quality with a design built for outdoor production.
Supporting 4K60p recording-quality video capture, the AW-UR100 delivers smooth motion and detailed images, making it well suited for covering sports fields, stadiums, and outdoor performances.
For livestreamers, sports production crews, and event videographers, the AW-UR100 offers a way to capture professional-quality outdoor video while maintaining the flexibility of remote PTZ camera operation.

Learn more about Panasonic here

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Aragon TV Takes Outdoor PTZ to Remote Production with BirdDog


Aragon TV Takes Outdoor PTZ to Remote Production with BirdDog

Join BirdDog at the AV over IP Summit, November 3–5, 2026, at 3 PM ET each day! Register for free to watch BirdDog’s session on using NDI and SRT for simultaneous local and remote production, and explore more ways to build flexible, IP-based workflows.

REGISTER HERE


The Outdoor PTZ Camera That Owns the Elements.

BirdDog O4 is the PTZ camera built to dominate the outdoors. Designed for stadiums, city infrastructure, outdoor events, and critical perimeter monitoring, O4 delivers professional-grade image quality, extreme environmental resilience, and next-gen AI tracking in one powerful system. From mountain tops to city streets, this is the camera that doesn’t just survive the elements, it owns them.

O4 is built to thrive where other cameras fail. A rugged outdoor PTZ with IP66 weatherproofing, -40° to +60°C tolerance, 30x zoom, 500m IR night vision, and 4K60p video for reliable coverage.
$6,495.00
  • IP66: IP66-rated die-cast aluminum enclosure.
  • Wide Temperature Range: Operates from -40°C to +60°C
  • Integrated Heater: Prevents fog and internal conednsation
  • Smudge-Resistant: Aircraft-grade lens coating.

XL Ultra. Built to Excel.

The cinematic PTZ camera built for broadcast, virtual production, and premium AV.
4/3″ sensor. 4K60. Dual cameras. No compromises.

BirdDog XL Ultra Black and green camera with 'BirdDog' branding on a white background
XL Ultra is built to excel. A cinematic PTZ camera with a 4/3″ CMOS sensor, 20x zoom, OLPF, and ND filters—offering exceptional depth, clarity, and low-light performance.
$6,995.00
  • Colossal Sensor: Combines a 4/3″ CMOS sensor with 20x optical zoom (40x in HD*) for stunning detail, depth of field, and low-light performance.
  • Two Cameras: Adds a built-in 100° panoramic camera with a 1/1.8″ sensor. Both cameras capture 4K60 and can output simultaneously.
  • Studio-Precision: XL Ultra is built for high-end studio and XR production, with an OLPF filter that helps reduce moiré on LED walls.
  • Auto-Tracking: Advanced AI tracking delivers smooth, natural camera movement while giving you control over tracking speed, style, and sensitivity

Atomos Shinobi Monitoring Tools: False Color, Waveform, Peaking, LUTs, and More Explained


A camera’s built-in LCD is adequate for basic framing. The Atomos Shinobi is a professional monitoring tool — and the difference comes down to the monitoring features it provides that camera LCDs don’t. Here’s what each tool does and when to use it.

🎬 Watch the full breakdown: Atomos Shinobi monitoring tools on Video Guys Live →

False Color — Expose Correctly Every Time

False color is the most important exposure tool on the Shinobi. It replaces the image with a color-coded map where each color represents a specific exposure range:

  • Red/Pink — overexposed, clipped highlights with no recoverable detail
  • Yellow/Amber — approaching overexposure, valid for bright highlights like windows
  • Green — correct exposure range for skin tones (typically 38–42% luminance)
  • Blue/Purple — underexposed shadow areas

In practice: point at your subject, enable false color, adjust exposure until skin tones read green. Confirm highlights aren’t clipping to red. Confirm shadows aren’t crushed to solid blue. You’ve now exposed correctly without relying on the visual appearance of the monitor in ambient light conditions.

False color is particularly valuable in challenging lighting — bright outdoor locations where a monitor can look darker than it is, or heavily contrasted interior locations with mixed practical lighting.


Waveform — See Your Full Exposure Range

The waveform monitor displays a graph of the luminance values in your image from left to right across the frame. Shadows sit at the bottom of the graph, highlights at the top.

Unlike false color which helps you expose skin tones, the waveform gives you the complete picture of your exposure — you can simultaneously confirm that shadows are holding detail (not crushed to zero) while highlights are not clipping (not spiking to 100%).

The waveform is also useful for matching shots between cameras or across different setups — if both cameras are showing the same waveform shape for the same scene, you know your exposures are consistent.


Vectorscope — Color and White Balance Reference

The vectorscope displays the color information in your image as a circular graph. Neutral (no color) sits at the center. The further a pixel plots from center, the more saturated that color is. Target boxes around the circle indicate where specific colors should fall — important for ensuring your camera is calibrated correctly and your color is accurate to reference.

In practice: point the camera at a color chip chart or a known neutral gray and watch the vectorscope. If it’s centered, your white balance is correct. If it’s shifted toward blue or orange, adjust white balance accordingly. For productions with multiple cameras, matching vectorscope readings ensures consistent color across all cameras before you shoot.


Focus Peaking — Confirm Critical Focus

Focus peaking highlights the edges of in-focus elements in the frame with a colored outline — typically red, green, or white depending on your preference and the content. When you’re focused on your subject, their face edges and eye detail will show peaking highlights.

This is the most practical focus tool for handheld and manual focus work. Rather than relying on your depth of field intuition or squinting at a small LCD, peaking gives you an immediate visual confirmation that your critical focus point is sharp.

For shallow depth of field work — portrait interviews, product shots with subject isolation — peaking is indispensable on a 5 or 7-inch monitor where you can actually see the fine detail the highlight is indicating.


Zoom Assist — Pixel-Level Focus Check

Zoom assist (sometimes called focus zoom or punch-in) magnifies a portion of the image to pixel level on the monitor — typically 2x or 4x magnification. This is the definitive focus check tool: zoom into the subject’s eyes before a take, confirm sharpness at pixel level, zoom back out for the actual shot.

Unlike peaking which gives you a high-confidence indication, zoom assist gives you absolute certainty. The trade-off is that you can’t run zoom assist during a take — it crops the view and removes the normal frame. It’s a pre-roll check tool, not a continuous monitoring tool.


LUT Support — Monitor in Your Intended Grade

Log footage from cinema cameras (Sony S-Log, Canon C-Log, ARRI LogC) is deliberately flat and desaturated at the capture stage to preserve maximum dynamic range. Monitoring flat footage makes it difficult to judge framing, exposure, and color accurately because nothing looks the way it will after grading.

LUT support on the Shinobi lets you load a 3D LUT — a color transform file — that converts the flat log image to a graded look on the monitor in real time. You’re still recording the flat log signal (or whatever the camera is recording), but you’re seeing the intended grade while you shoot.

This is how professional cinema productions have been working for years — the camera assistant monitors a technical flat image while everyone else watches a transformed version that represents the intended look.


Anamorphic De-squeeze

Anamorphic lenses capture a squeezed, narrow image that gets expanded horizontally in post to produce the ultra-wide cinematic aspect ratio. Monitoring a squeezed anamorphic image during shooting makes framing nearly impossible — subjects look tall and thin.

Anamorphic de-squeeze on the Shinobi expands the image in real time on the monitor, showing the final intended framing while you shoot. The camera is still recording the squeezed signal — but you’re monitoring the correct aspect ratio.

Roland V-1-4K Turns One 4K Camera Into Multiple Live Production Shots


Creating a professional multi-camera livestream doesn’t always require multiple cameras. With 4K Region of Interest (ROI) cropping, the Roland V-1-4K video switcher can turn a single 4K camera feed into several different shots.

Operators can select up to four areas within the camera’s image, creating close-ups, wider views, and different perspectives that can be switched during a live production. For example, one camera covering a panel discussion could provide a full-stage shot alongside tighter views of individual speakers.

The V-1-4K also includes five HDMI inputs, built-in scaling, and the V-1-4K Remote app for additional control. For livestreamers, churches, educators, and small production teams, this approach can reduce equipment requirements and setup time while delivering more visual variety to viewers.

Learn more about Roland here

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