Creating a professional multi-camera livestream doesn’t always require multiple cameras. With 4K Region of Interest (ROI) cropping, the Roland V-1-4K video switcher can turn a single 4K camera feed into several different shots.
Operators can select up to four areas within the camera’s image, creating close-ups, wider views, and different perspectives that can be switched during a live production. For example, one camera covering a panel discussion could provide a full-stage shot alongside tighter views of individual speakers.
The V-1-4K also includes five HDMI inputs, built-in scaling, and the V-1-4K Remote app for additional control. For livestreamers, churches, educators, and small production teams, this approach can reduce equipment requirements and setup time while delivering more visual variety to viewers.
Every time a phone or camera manufacturer releases a new product or an updated version of an existing one, they have one goal in mind.
That goal is to create a desire in you and me for that product and as a result, make a sale!
The “old reliable” in this scenario is to push very hard on the concept that:
Your images/videos are somehow subpar.
The whole problem would be solved by you buying whatever product they are offering.
Most of us are aware of it, but dang they can get into your head and before you know it, you are pricing models!
The real key to all of this is knowing technically how to get the best out of what you have, because that is the real answer.
Here’s a great example of how to shoot better videos through knowing some of the rules of composition and applying them well.
Trust me, your bank account will thank you!
Why I Script Every 40 Second Reel And What Happens When I Don’t
When you see highly successful creators working with either long form or short form content it is easy to get a false idea of what they are doing.
That false idea is that they are somehow talented in delivering onscreen and for them it’s all just some kind of natural thing they can do and you can’t.
The true picture is that they all use some kind of scripting that is worked out well before they begin to shoot.
It may not be a script in the sense of word for word text written down, but there will be a definite plan in place.
In this video Chris Goor covers the subject and why it is so important.
How to Edit Videos with AI in 2027 – Video Editing for Beginners
This is a reasonably good walkthrough of how to put an entire video together in a sequence of steps that make sense.
Of course it is produced by the folks at PowerDirector so like many editors these days, they are pushing the whole”AI” thing pretty hard.
I tend to ignore a lot of that noise for the most part because it’s coming from the marketing department in order to generate some kind of wow factor in the viewer.
And by viewer I mean potential customer!
Other than that it is a pretty solid set of recommendations that will get you from raw footage to a finished product as efficiently as possible.
How to use the Video Edit by Chat tool in PowerDirector
If you checked out the video above you would have seen a polished and sanitized version of working with some of the AI tools in PowerDirector.
It would be naive to think that CyberLink would present their product any other way!
What you saw there was reasonably accurate but not exactly how every experience is going to go.
In this video you can get a more realistic sense of working with at least one of the AI features in the program.
The tool is the Edit by Chat feature.
Filmora Beat Ramping Tutorial – How to Speed Ramp to Music Beats
This is a rather cool little tool that has been added to Filmora recently.
We are probably all familiar with the concept of speed ramping by now but just in case, here’s the deal.
Speed ramping is a feature that allows you to speed up or slow down the playback of a clip or sequence.
Before speed ramping was tool unto itself, you had to use keyframes to mark a spot where the clip would speed up then add other keyframes to have that change increase or decrease incrementally.
That way you could get a smooth speeding up or slowing down rather than an abrupt change of speed.
Speed ramping as a feature eliminates the need for that so that you just apply it, adjust it and you are good to go.
The inherent problem with this is that if there is any audio attached to the video file, that too would be made to play faster or more slowly with you having no real control over it.
This resulted in people sounding like your drunk uncle at a party or everyone becoming The Chipmunks!
The tool Filmora has added to address this is called Beat Ramping and works in a similar way to Speed Ramping, only this one if for music.
Check the video below for what it is, how to use it and what kinds of projects it is suited to.
No Editing Experience? Here’s How to Make Your First Video in Filmora
This is a handy step by step beginners tutorial covering the creation of a completed video for absolute newbies.
Whether you are already using Filmora or are totally new I always recommend checking out videos like this.
More importantly, when these types of videos are posted by the makers of the software they are even more significant especially when it comes to Filmora.
Of all the software I tend to keep an eye on, Filmora is easily the one that is the most aggressively developed with update coming almost fortnightly if not weekly.
What that means as a user is that the habits and strategies you have employed to get you to where you are, may not still be the most efficient way of doing things.
I tend to treat these back to basics videos as a refresher in the software so if I am doing OK, great!
However if something has changed and I can now do it fast or easier, then that’s great too!
The 4 Cutting Techniques Every Video Needs in CapCut (Pro Editors Use Them All)
This is a very good “back to basics” tutorial from Dina and Agnes this week.
Although they often post about using simple features within CapCut to pull off effects that look very professional, they too recognize one basic thing.
That thing is that if you do not know how, when and why to execute cuts correctly, no amount of fancy schmancy effects are going to save you or your project!
Basic Training for Adobe Premiere Elements 2027, Part 1 of 8
Last week Steve Grisetti started off his updated tutorials for the new version of Adobe Premiere Elements 2027.
That video was an introduction to some of the newer Generative AI tools they have added so this week we start the real training.
This is Part One of his usual eight part series introducing the interface and some of the tools new users would be most likely to need first.
Resolve Grading in One Node
Probably the best choice around at the moment for color correction and grading is DaVinci Resolve and this includes the free version.
However actually working out how to use it is another matter entirely.
I know this because when I first started using it, there were many minutes spent just staring blankly at the computer screen in a sort of numb state.
The the problem then worsens when you try to find some online help to get it all under control.
Before you know it, you are knee deep in all sorts of complications and still trying to work out what a Node is.
Well this week I came across this really good article that is a straightforward step by step walk through a color correction.
It is all done using one node so you don’t even have to have the nodes showing on the screen!
10 Mistakes That Make Your Videos Look Amateur – DaVinci Resolve
OK, so this is anything but a DaVinci Resolve tutorial even though it is demonstrated using that software.
This is just a bunch of simple little mistakes I see a lot of people make very consistently.
As an editor it is your job to pick these up and eliminate them before a viewer gets to the see the video.
Remember, as an editor you need to gain experience in spotting and handling mistakes.
The reason for that is that an audience will most likely not spot them BUT!
They will “feel” something is wrong and they will click away in a heartbeat!
Key Takeaways
Master smartphone composition by understanding the fundamentals instead of chasing the latest products.
Successful creators often script their content, which helps in delivering polished videos.
Learn video editing and utilize tools like PowerDirector and Filmora for efficient results.
Beginner tutorials can guide you in using software effectively, especially with frequent updates.
Avoid common mistakes in editing to enhance video quality, ensuring that audiences remain engaged.
The AV over IP Summit is kicking off NDI November with three days of virtual sessions focused on the latest in networked production. From NDI and Dante to Dante AV, IPMX, and ST-2110, explore the technologies helping professionals move from traditional SDI to flexible IP-based workflows. Register once for all three AV over IP Summit webinars!
Pro AV to Live Production: Flexible, Reliable IP Workflows
November 3rd at 3pm EST
Explore NDI, Dante audio and Dante AV, H.265/HEVC compression, and the practical network design considerations needed to build efficient, reliable IP-based production workflows.
Bridging Pro AV and Broadcast: IPMX and SMPTE ST 2110
November 4th at 3pm EST
See real-world applications, interoperability, timing and synchronization, device discovery and control, and the infrastructure required to build reliable IP-based workflows.
Choosing the Right AV over IP Workflow for your Production
November 5th at 3pm EST
Learn the practical steps for moving from traditional HDMI and SDI to modern IP-based workflows, including key technology choices and extending production to remote locations.
Can’t Make The Live Event? No problem! Register anyway so you can watch the webinars on demand at a time that works for you. Catch the sessions you’re interested in and explore the latest in NDI and AV over IP whenever it’s convenient.
Join industry experts for practical insights into building flexible, reliable IP workflows and stay up to date with the technologies shaping the future of AV and broadcast.
TheSavannah Bananas and Banana Ball have grown from a unique baseball experience into a major live sports property. In 2026, the Banana Ball Championship League expanded to six teams, 75 stadiums across 45 states, and nearly 200 games, creating a major challenge behind the scenes: keeping every broadcast connected.
NETGEAR M4350 and M4250 switches power the network supporting Banana Ball TV, connecting everything from production switchers and replay systems to intercom, computers, and video routing. The Savannah-based REMI production operation is designed to handle as many as three simultaneous live broadcasts.
NETGEAR Engage and features such as auto trunking also help the production team quickly deploy and manage networking as the tour moves between different stadiums.
For viewers watching Banana Ball on ABC, ESPN, The CW, or YouTube, much of that technology remains invisible. That’s the goal: a reliable network that keeps the production running while the action stays focused on the field.
Getting a reliable internet connection can be one of the biggest challenges when livestreaming from a stadium, remote location, or field production. LiveU Hybrid Data brings Starlink broadband and cellular connectivity together to help crews stay live when network conditions change.
Instead of using Starlink only as an emergency backup, LiveU allows Starlink and cellular connections to be bonded together within the same workflow. LiveU Reliable Transport combines available IP connections into a reliable stream, while LiveU IQ analyzes cellular network conditions to help select the best-performing operators for the location.
LiveU also packages cellular data and Starlink into one managed service with one plan, invoice, and source for support, simplifying connectivity for crews working in the field.
LiveU Hybrid Data will be available for the LU300S, LU800, and LU900Q in the United States and United Kingdom, giving sports, broadcast, and remote production teams another option for maintaining reliable live video transmission when connectivity is unpredictable.
The modern sports venue is more than a place to watch the game. Fans expect an engaging, visually dynamic experience from the moment they enter the facility until the final whistle. LED displays for sports venues play an increasingly important role in creating that experience, delivering game information, entertainment, branding, sponsorship content, and live video throughout the facility.
At SportStream 2026, Absen explores how LED display technology can help sports organizations of different sizes create more engaging in-venue experiences. From large-format video walls and scoreboards to ribbon displays and perimeter screens, LED technology gives venues flexible ways to communicate with fans and make better use of their physical spaces.
How LED Displays Improve the Sports Fan Experience
A strong in-venue experience depends on more than what happens on the field or court. Fans need to see important information, feel connected to the action, and have reasons to stay engaged throughout the event.
LED displays can support all of these goals by providing highly visible digital content across the venue.
Depending on the application, sports LED displays can deliver:
Live game video and replays
Scores, statistics, and game information
Player and team graphics
Advertisements and sponsorship content
Promotional messages
Fan engagement content
Social media feeds
Event announcements
Entertainment and motion graphics
Wayfinding and venue information
Instead of relying on one central screen, venues can use multiple LED display types to create a connected visual experience throughout the facility.
Main LED Video Walls for Sports Venues
The main video wall is often the centerpiece of a sports venue’s visual system.
Large-format LED video walls can provide fans with a clear view of live action, replays, graphics, statistics, entertainment content, and sponsorship messages. Because LED displays are built from modular panels, display configurations can be designed around the available space and viewing requirements.
A main LED video wall can be used in arenas, stadiums, fieldhouses, gymnasiums, and other sports facilities.
The right display depends on factors such as:
Venue size
Viewing distance
Screen dimensions
Resolution requirements
Brightness requirements
Indoor or outdoor installation
Content type
Camera and video sources
For venues with large audiences, the main display needs to provide a consistent viewing experience across a wide range of seating positions.
LED Ribbon Displays Keep Fans Connected to the Action
Ribbon displays add another layer of visual communication to the venue.
These long, narrow LED displays can be positioned around the upper levels of an arena or stadium, along balconies, or in other architectural locations. Their shape makes them useful for displaying continuous graphics, scores, advertisements, team branding, and other content.
Because ribbon displays can extend across significant portions of a venue, they can help create a more immersive visual environment.
They can also provide additional inventory for sponsors without taking attention away from the main video board.
Perimeter LED Displays Add More Opportunities for Engagement
Perimeter LED displays are commonly positioned around the playing surface or field of play.
These displays can turn otherwise static areas into dynamic digital content surfaces. During a game, perimeter displays can show team branding, sponsor messages, promotional content, and other graphics.
For sports organizations, this creates another opportunity to keep fans engaged while providing valuable digital real estate for sponsorships.
Perimeter displays can be especially effective because they are positioned close to the action and are visible to both spectators in the venue and cameras covering the event.
LED Scoreboards Deliver More Than the Score
Traditional scoreboards communicate essential game information, but modern LED scoreboards can do considerably more.
An LED scoreboard can combine scores and statistics with live video, graphics, animations, player information, sponsor content, and entertainment.
This flexibility allows the display to change based on what is happening during the event.
For example, a venue might use the display for:
Pre-game introductions
Live scores and statistics
Player announcements
Instant replays
Sponsor messages
Crowd prompts
Halftime entertainment
Post-game information
This turns the scoreboard into an active part of the production rather than simply a source of game information.
Sponsorship Content Becomes Part of the Venue Experience
LED technology also changes how sports organizations can approach sponsorship content.
Instead of dedicating permanent physical space to a single advertisement, digital LED displays can rotate multiple sponsors and campaigns throughout an event.
This can include:
Sponsor logos
Full-screen advertisements
Animated graphics
Promotional offers
Event-specific campaigns
Sponsored replays
In-game promotions
Partner announcements
Digital displays provide the flexibility to change content based on the event, sponsor, audience, or time of day.
For organizations managing multiple teams, leagues, tournaments, or events in the same venue, this flexibility can be particularly useful.
Choosing the Right LED Display for a Sports Facility
Not every sports venue needs the same type of LED system.
A professional stadium may require large outdoor displays capable of handling long viewing distances and changing environmental conditions. A high school gym may have very different requirements, with a smaller indoor display and shorter viewing distances.
When planning an LED display system, organizations should consider several factors.
Viewing Distance
The distance between the display and the audience affects the appropriate pixel pitch and resolution.
Fans sitting close to a display need a different visual solution than spectators viewing a screen from the opposite side of a large stadium.
Indoor vs. Outdoor Installation
Indoor and outdoor environments create different technical requirements.
Outdoor displays may need to account for sunlight, weather, temperature changes, and greater viewing distances. Indoor displays have different brightness and environmental considerations.
Screen Size and Location
The physical location of the display is just as important as the display itself.
A main video wall, ribbon display, scoreboard, and perimeter display each serve different purposes. Mapping out where fans will see each screen can help determine the right combination of technologies.
Content Requirements
Consider what the display will actually show.
A screen primarily displaying scores and text may have different requirements than one showing live 4K video, detailed graphics, or high-motion content.
Venue Infrastructure
LED displays also need to fit into the broader production and AV infrastructure.
Video sources, processors, control systems, networking, power, content management, and production equipment all play a role in delivering content to displays around the venue.
LED Displays Can Scale from Schools to Professional Venues
One of the advantages of LED technology is that it can be deployed across a wide range of sports facilities.
A school or community venue might start with a single LED scoreboard or video display. A larger facility could deploy multiple displays across the building, including a main video wall, ribbon displays, perimeter displays, and additional screens throughout concourses and spectator areas.
The goal is not simply to install as many displays as possible. The goal is to determine where digital displays will provide the most value for fans, operators, teams, and sponsors.
A well-planned system can also provide a foundation for future expansion as the venue’s production and content requirements grow.
Connecting LED Displays to the Sports Production Workflow
LED displays are only one part of a modern sports production system.
To create a dynamic in-venue experience, displays need to receive the right content from the production workflow.
That workflow may include:
Cameras → Production System → Graphics & Replay → Video Processing → LED Displays
A more advanced venue may also incorporate additional sources such as statistics systems, scorekeeping, sponsorship management, streaming platforms, and other content sources.
This is why LED planning should happen alongside the broader sports production plan.
The display technology, video infrastructure, networking, production equipment, and content workflow all need to work together to deliver reliable content when fans need it.
Creating a More Immersive Sports Venue
The biggest opportunity with LED displays is not simply showing a larger picture. It is creating a more connected experience throughout the venue.
Imagine entering an arena and seeing team branding throughout the concourse. As fans approach their seats, ribbon displays provide game information and sponsor content. The main video wall delivers live action and replays. Perimeter displays surround the playing surface with dynamic graphics, while additional displays provide information and entertainment during breaks.
Each display has a specific role, but together they create a unified environment.
That approach can help venues make the most of their physical spaces while giving production teams more options for delivering content.
What Should Sports Organizations Consider Before Installing LED Displays?
Before investing in an LED display system, sports organizations should define what they want the technology to accomplish.
Start with the fan experience. Determine what information, entertainment, and content fans need to see and where they will see it.
Then consider:
Venue size and layout
Audience viewing distances
Indoor or outdoor requirements
Display locations
Desired screen sizes
Content types
Camera and production sources
Networking and signal distribution
Sponsorship requirements
Future expansion
A clear plan can help organizations select displays that fit the facility rather than simply selecting a screen based on size or resolution.
Frequently Asked Questions About LED Displays for Sports Venues
What are LED displays used for in sports venues?
LED displays are used for live video, instant replays, scores, statistics, team graphics, advertisements, sponsorship content, fan engagement, announcements, and entertainment.
What types of LED displays are used in sports facilities?
Common applications include main LED video walls, LED scoreboards, ribbon displays, perimeter LED displays, concourse screens, and other digital signage applications.
Why use LED displays instead of traditional signs?
LED displays can provide dynamic, programmable content that can change throughout an event. This allows venues to display live video, graphics, sponsorships, scores, and other content on the same display.
What is an LED ribbon display?
An LED ribbon display is a long, narrow LED screen typically installed around the upper levels or perimeter of a sports venue. It can display scores, graphics, branding, advertisements, and other content.
Can LED displays be used in smaller sports venues?
Yes. LED technology can be scaled for facilities ranging from schools and community sports venues to large arenas and stadiums. The appropriate display depends on viewing distance, screen size, environment, and content requirements.
How do LED displays connect to a sports production system?
LED displays receive video and graphics from the venue’s production and AV infrastructure. Depending on the system, this can involve cameras, switchers, replay systems, graphics systems, video processors, signal distribution, and networking.
How can LED displays support sports sponsorships?
Digital LED displays can rotate multiple sponsor messages, advertisements, logos, and promotional graphics. This gives venues more flexibility than permanent printed signage and allows content to change between events or during different parts of a game.
Transforming the Sports Venue Experience with Absen
LED technology gives sports organizations new ways to bring the energy of the game into every part of the venue. From large-format video walls and scoreboards to ribbon and perimeter displays, the right combination of LED solutions can improve visibility, create more engaging experiences, and provide flexible opportunities for content and sponsorships.
At SportStream 2026, Absen explores how sports organizations can use LED display technology to transform the in-venue fan experience and build display systems around the needs of their facilities.
Modern displays are evolving from passive screens into connected parts of the AV workflow. As explored in AV Technology Manager’s Guide to Display Technologies, today’s systems can receive media, react to metadata, connect with cloud platforms, and adapt content based on real-time information.
Technologies such as AI, IoT, AV-over-IP, integrated SoC displays, LED video walls, and cloud-based tools are creating new possibilities for digital signage, immersive experiences, collaboration, and audience engagement.
The guide highlights everything from a museum using more than 100 laser projectors across nearly 37,000 square feet to LED installations, interactive displays, video walls, and digital storytelling environments. The larger trend is clear: the display is increasingly becoming an intelligent part of the production and content ecosystem rather than simply the place where video appears.
How to Hook Viewers with a Text Intro – Movavi Ideas
Well the big news for this week… amongst others, is that Movavi have released their 2027 version of their newbie friendly video editing app.
Movavi Video Editor 2027 has a few new features and thankfully they have not gone totally “AI” in the process!
One set of tools they have added of particular note are Templates and Blocks.
Now many of the existing editors have similar features but to my knowledge none of them are quite like this.
Templates are complete videos unto themselves so that all you have to do as a user is to load your own video or audio into them replacing the existing ones.
All the effects, text, wipes, transitions, music etc. are already in place so you pretty much can have a completed project in minutes.
On top of that they also have preset Blocks that can be added to whatever existing Template you are using to extend the capability of that template.
Even if you have built a complete project yourself, you can still add blocks into that project to get your video looking the way you want.
Similarly, you then add your own assets or change the text or whatever and you are done.
The video below gives an good look at blocks in action.
One of the more fiddly things you can do in a project is to delve into the world of using split screens.
If used prudently it can provide a great visual dynamic to your videos… BUT!
It really can be a royal PITA to deal with!
Generally it means you are taking existing footage and trying to make it fit into a smaller space which in turn results in repositioning every image and after all that the tweaking begins.
I say that because even though you have probably managed to squish everything in so you can see it, you still have to add design elements to it and possibly animations and on and on it goes!
In the video below you can see how Filmora deals with that mess with their new split screen templates that look way easier to use!
Filmora 16 Review Sneak Peak
This is a little preview of the upcoming release of Filmora into the version 16 series.
After watching the video I have to agree with Jacky on this one that unless you have a specific need to one of the new features, you probably don’t need to upgrade yet.
Like most of the current video editing apps kicking around, I think they have pretty much pushed the development envelope with A.I. about as far as it will go for the moment.
That leaves them with the introduction of exciting new features which again… is a bit of an empty basket!
I mean really! What new groundbreaking feature could they possibly come up with at this point.
Most modern video editing software can now do things that editors 30 years ago could only dream of, or at least only dream of having the budget to do it!
Personally I think it is time for all of them to stop for a moment and concentrate on stability and performance for a while.
Of course no-one in the marketing department is going to be happy about that!
Tips on working with the PowerDirector AI Copilot
One of the features that was added to PowerDirector a few version ago was something called the AI Copilot.
Basically what this is is a small AI interface that has digested the user manual and is supposedly able to answer questions as you are editing.
So if you want to do something for the first time or have forgotten how to do it, you can ask AI Copilot how to do that thing.
I have used it quite a bit from when it became available and in many cases, it came up with the goods.
However also in my experience, if you are unfamiliar with the exact terminology for an action, sometimes it falls short.
For example if I ask about transitions, it pretty much knows what I am talking about and can guide me quite well.
However if I don’t know what a transition is called and just try to describe it as “that effect thing that goes between two clips,” it has no idea how to help.
Anyway, like most AI models it is in a constant state of learning so hopefully over time it will get better.
9 Simple CapCut Tricks That Make a HUGE Difference
Now that we are fully into the era of drag and drop video editors there is a temptation to use the obvious features to just “get the job done.”
What a lot of people don’t realize is that it only takes a few little adjustments in the process of getting the job done that can take your videos to a much higher level.
Of course in the interests of keeping those interfaces as simple as possible, many of those little adjustments are hidden just out of view.
In this video from Dina and Agnes, they cover nine examples of this that when used, change your editing from looking OK to making them look way more professional.
The Generative AI features in Adobe Premiere Elements 2027
Well I just realized we are starting to hit that time of the year when all the video editing software companies roll out their updates for the year.
Of course it is purely coincidental that these updates hit around three months before the holiday season allowing time for release and bug handling!
Anyhoo, Premiere Elements have just moved from their 2026 version up to 2027 and in celebration of that, Steve Grisetti has made some new tutorials!
Here’s the first one covering the new Generative AI (of course!) features that have been added.
YouTube Just Announced Huge Changes
The big news from a recent YouTube event is that there are major changes coming to the platform over the near future.
As is usually the case when these types of changes are announced, everyone goes batshit crazy and many tears before bedtime are shed!
However as is also usually the case, it all dies down after a while and everyone gets on with their lives and ultimately no-one died.
So here’s a reasonably good look at the changes with a little exploration in a non-hysterical manner at the effect those changes may have.
Camera Monitoring Tools Explained: Waveform, False Color, Zebras & More
If you have made the switch to a dedicated video camera as opposed to a smartphone of some description then you will now have some very handy tools you can use.
As side note here, some apps are available for smartphones that can also add some of these tools but there is wide variation in which ones can do what.
So for the moment I’ll just be referring to cameras.
These tools that you can see explained in the video below are great ways for you to take manual control over your shooting without the guesswork.
They cover important aspects such as exposure and focus as well as ensuring you can capture a balanced, high quality image.
Of course the problem with these tools is that they are inherited from the analogue era of cameras so the terminology makes them seems far more complex than they really are!
My advice would be to check out the video and get an understanding of what they do.
Then, take a little time online to search out more specific tutorials on each one to see how to actually use them.
Finally, use what you know to go out and practice using them especially the part where you have to access the feature in your camera’s menu.
We don’t have to worry these days about burning through miles of expensive film stock so in that respect we are pretty lucky!
Just play around with them until you feel comfortable because you can always just erase the footage and go again.
This is an excellent walkthrough from Daniel Batal on working up a full video sequence in DaVinci Resolve.
You can follow along and learn a few new tricks as far as using text and animated motion graphics go but there is one thing I really want you to take note of.
As he is going through the sequence you will notice he keeps saying things like, “I knew I wanted to add text here” and other references that are similar.
This is a great example of the entry below on this week’s Friday Roundup on the subject of pre-production.
Daniel is not just making it all up on the fly here!
You can clearly tell he already had a plan in place before he even started to shoot the footage he needed.
That way, when it came time for the editing he already knew what he was going to do and had the resources available to do it.
Do This BEFORE You Film to Make Better Videos
I am sure many of you have seen videos online where someone is videoing something or someone doing something funny, surprising or whatever.
Then, at the crucial point of the action or even just as it is happening, the camera or phone drops down as the camera person joins in with the hilarity and you, as the viewer, are left hanging!
There is a vital point in making videos that a lot of people miss.
You are not a participant in the activity, you are the recorder of the action.
This falls into line with a very old concept in video which is to always “shoot for the edit.”
That means you try to get the best possible footage you can so that later, when you are editing, you have decent material to work with.
In this video from Casey Faris he covers this point from admittedly a slightly more advanced perspective but it applies to all of us nonetheless.
Key Takeaways
Movavi Video Editor 2027 introduces Templates and Blocks, allowing users to create videos quickly by replacing existing assets in preset structures.
Filmora’s new split screen templates simplify the complex process of editing footage into smaller spaces, making it easier to create visually dynamic content.
Filmora 16 may not offer significant upgrades; focus on stability rather than groundbreaking features seems necessary at this point.
PowerDirector’s AI Copilot helps users with editing queries but may struggle with vague descriptions; continual improvement is expected.
The article highlights video editing tips and tools, emphasizing the importance of pre-production planning and high-quality footage for effective editing.
AV over IP Summit 2026: Exploring NDI, Dante, IPMX and SMPTE ST 2110
As video production continues to move from traditional SDI and HDMI connections to network-based workflows, understanding AV over IP technologies is becoming increasingly important for live production, broadcast, and professional AV.
As part of NDI November 2026, the AV over IP Summit brings together three live webinars exploring the technologies, infrastructure, and workflows shaping the future of networked video production.
Join us November 3–5, 2026, at 3 PM EST for three sessions covering NDI, Dante, Dante AV, IPMX, SMPTE ST 2110, H.265/HEVC, network design, and the transition from SDI to IP-based production workflows.
The AV over IP Summit is a three-day virtual event focused on the evolution of networked AV and video production. The sessions are designed to explore how technologies such as NDI, Dante, Dante AV, IPMX, and SMPTE ST 2110 are being used to build more flexible and scalable production environments.
The summit will also examine the practical considerations involved in moving from traditional point-to-point video connections toward IP-based workflows, including network infrastructure, interoperability, timing and synchronization, device discovery, control, and remote production.
November 3: From Pro AV to Live Production: Building Flexible, Reliable IP Workflows
The first session explores how IP technologies can connect professional AV and live production workflows.
Topics include:
NDI for network-based video production
Dante audio and Dante AV
H.265/HEVC video compression
Network design considerations
Building efficient and reliable IP production workflows
The session focuses on the practical technology and infrastructure considerations involved in creating a networked production environment.
IP-based production can change how video, audio, and control signals move throughout a production environment. Instead of relying entirely on dedicated point-to-point connections, networked workflows can provide new ways to route, distribute, manage, and extend production signals.
Technologies including NDI, Dante AV, IPMX, and SMPTE ST 2110 address different requirements across professional AV, live production, and broadcast environments.
Understanding the differences between these technologies—and how they fit into a larger network infrastructure—is an important part of planning a modern IP production workflow.
Register for AV over IP Summit 2026
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Video content doesn’t always need to end up on a traditional 16:9 screen. LED walls, ultrawide displays, and custom installations can use very different shapes and resolutions.
The Roland VC-1SC-4K provides scaling tools, flexible size and position controls, and ROI cropping to help adapt a video source to the display being used.
Whether content is being prepared for an LED wall, widescreen display, or another custom format, the VC-1SC-4K helps creators make better use of the available display area without forcing everything into a standard 16:9 frame.
The 
