‘Wall-E With a Gun’: Midjourney Generates Videos of Disney Characters Amid Massive Copyright Lawsuit


Midjourney’s new AI-generated video tool will produce animated clips featuring copyrighted characters from Disney and Universal, WIRED has found—including video of the beloved Pixar character Wall-E holding a gun.

It’s been a busy month for Midjourney. This week, the generative AI startup released its sophisticated new video tool, V1, which lets users make short animated clips from images they generate or upload. The current version of Midjourney’s AI video tool requires an image as a starting point; generating videos using text-only prompts is not supported.

The release of V1 comes on the heels of a very different kind of announcement earlier in June: Hollywood behemoths Disney and Universal filed a blockbuster lawsuit against Midjourney, alleging that it violates copyright law by generating images with the studios’ intellectual property.

Midjourney did not immediately respond to requests for comment. Disney and Universal reiterated statements made by its executives about the lawsuit, including Disney’s legal head Horacio Gutierrez alleging that Midjourney’s output amounts to “piracy.”

It appears that Midjourney may have attempted to put up some video-specific guardrails for V1. In our testing, it blocked animations from prompts based on Frozen’s Elsa, Boss Baby, Goofy, and Mickey Mouse, although it would still generate images of these characters. When WIRED asked V1 to animate images of Elsa, an “AI moderator” blocked the prompt from generating videos. “Al Moderation is cautious with realistic videos, especially of people,” read the pop-up message.

These limitations, which appear to be guardrails, are incomplete. WIRED testing shows that V1 will generate animated clips of a wide variety of Universal and Disney characters, including Homer Simpson, Shrek, Minions, Deadpool, and Star Wars’ C-3PO and Darth Vader. For example, when asked for an image of Minions eating a banana, Midjourney generated four outputs with recognizable versions of the cute, yellow characters. Then, when WIRED clicked the “Animate” button on one of the outputs, Midjourney generated a follow-up video with the characters eating a banana—peel and all.

Although Midjourney seems to have blocked some Disney- and Universal-related prompts for videos, WIRED could sometimes circumvent the potential guardrails during tests by using spelling variations or repeating the prompt. Midjourney also lets users provide a prompt to inform the animation; using that feature, WIRED was able to to generate clips of copyrighted characters behaving in adult ways, like Wall-E brandishing a firearm and Yoda smoking a joint.

The Disney and Universal lawsuit poses a major threat to Midjourney, which also faces additional legal challenges from visual artists who allege copyright infringement as well. Although it focused largely on providing examples from Midjourney’s image-generation tools, the complaint alleges that video would “only enhance Midjourney ability to distribute infringing copies, reproductions, and derivatives of Plaintiffs’ Copyrighted Works.”

The complaint includes dozens of alleged Midjourney images showing Universal and Disney characters. The set was initially produced as part of a report on Midjourney’s so-called “visual plagiarism problem” from AI critic and cognitive scientist Gary Marcus and visual artist Reid Southen.

“Reid and I pointed out this problem 18 months ago, and there’s been very little progress and very little change,” says Marcus. “We still have the same situation of unlicensed materials being used, and guardrails that work a little bit but not very well. For all the talk about exponential progress in AI, what we’re getting is better graphics, not a fundamental-principle solution to this problem.”

Captain America: Brave New World and The Wild Robot just hit streaming


Each week on Polygon, we round up the most notable new releases to streaming and VOD, highlighting the biggest and best new movies for you to watch at home.

This week, Captain America: Brave New World, the Marvel superhero movie starring Anthony Mackie and Harrison Ford, smashes its way onto Disney Plus after hitting video on demand in April. It’s a big week for animation, with the Oscar-nominated The Wild Robot and the Korean science fiction romance Lost in Starlight both releasing on Netflix, while DreamWorks’ adaptation of Dav Pilkey’s internationally bestselling Dog Man graphic novel series arrives on Peacock. New titles available to rent include the Chinese legal thriller The Prosecutor, and two tales of forbidden love: the Shakespearean musical Juliet & Romeo and The Grey director Joe Carnahan’s action flick Shadow Force.

Here’s everything new that’s available to watch this weekend!

Genre: Science fiction romance
Director: Han Ji-won
Cast: Kim Tae-ri, Hong Kyung/Maitreyi Ramakrishnan, Justin H. Min

Set in 2050 Seoul, Netflix’s first Korean original animated film is a story of literally star-crossed lovers. An astronaut headed for Mars and a musician fall for each other and face the pain of separation. Trying to make a long-distance relationship work is especially difficult when you’re 139 million miles away from each other.

Genre: Crime drama
Director: Carlos Sedes
Cast: Carmen Machi, Ivana Baquero, Tristán Ulloa

Based on a true story, this Spanish film stars Ivana Baquero (Pan’s Labyrinth) as Maje, the young widow of a man stabbed seven times and left in a parking lot in a seeming crime of passion. The investigation leads to Maje’s lovers, as the police try to figure out who’s really behind the crime.

Genre: Family science fiction
Run time: 1h 42m
Director: Chris Sanders
Cast: Lupita Nyong’o, Pedro Pascal, Kit Connor

Based on Peter Brown’s middle-grade book, DreamWorks’ Academy Award-nominated film follows Roz (Lupita Nyong’o), a helpful robot who accidentally washes up on an island that’s only inhabited by animals. While she initially terrifies all the creatures there, she winds up befriending a fox (Pedro Pascal) who helps her raise a runty gosling (Kit Connor) and prepare him for his first migration.

From director Chris Sanders (Lilo & Stitch, How to Train Your Dragon), The Wild Robot is a tenderly crafted story that pushes computer animation in a beautiful new direction — and is exactly the sort of movie that the current animation landscape so desperately needs.

Captain America: Brave New World

Genre: Superhero action
Run time: 1h 58m
Director: Julius Onah
Cast: Anthony Mackie, Danny Ramirez, Harrison Ford

Set after the events of The Falcon and the Winter Soldier, Captain America: Brave New World sees Sam Wilson — having fully embraced his role as the new Captain America — being called on to resolve an international incident in the wake of a failed assassination attempt on newly elected President Thaddeus “Thunderbolt” Ross (Harrison Ford). With time running out and the walls closing in, will Sam be able to come out on top and rescue the world from the brink of devastation? Probably!

As a Captain America movie, Brave New World is batting strongly below average. Its plot is at least mildly reminiscent of 2014’s Captain America: The Winter Soldier, but it’s both fair and unfair to compare the two. Unfair in that Winter Soldier is still among the best-regarded MCU movies, while BNW is running uphill from table-setting a potential new Captain America franchise, dealing with post-production rewrites and reshoots, and the general malaise of the MCU’s post-Avengers: Endgame audience. But fair in that, like Winter Soldier, BNW was also clearly designed as a grounded thriller (by the sliding scale of “grounded” in the MCU) featuring global political stakes and a superpowered conspiracy at its heart.

The Seed of the Sacred Fig

Genre: Political drama
Run time: 2h 48m
Director: Mohammad Rasoulof
Cast: Soheila Golestani, Missagh Zareh, Mahsa Rostami

Writer and director Mohammad Rasoulof had to flee Iran after he was sentenced to eight years in prison ahead of the premiere of The Seed of the Sacred Fig. The Oscar- and Golden Globe-nominated film is a fictional story set against the backdrop of political protests, incorporating real footage of the 2022 and 2023 unrest that followed the death of 22-year-old Jina Mahsa Amini, who was fatally beaten by Iranian “morality police” under the accusation that she was wearing her hijab improperly.

Genre: Family comedy
Run time: 1h 29m
Director: Peter Hastings
Cast: Peter Hastings, Pete Davidson, Lil Rel Howery

Peter Hastings continues the Captain Underpants franchise with an adaptation of Dav Pilkey’s graphic novel series about a hero created when a police officer and his dog were stitched together into one individual after being wounded while failing to defuse a bomb. Pete Davidson plays Dog Man’s evil cat nemesis in the DreamWorks film, which uses CG animation styled to resemble craft materials.

Genre: Thriller
Run time: 1h 31m
Director: Mel Gibson
Cast: Mark Wahlberg, Topher Grace, Michelle Dockery

No one is quite who they seem in Mel Gibson’s claustrophobic thriller, where a U.S. Marshal (Michelle Dockery) hires a pilot (Mark Wahlberg) to get an informant from Alaska to New York so he can testify against the crime family he worked for. As they travel across the wilderness, the group fights for control of the increasingly tense and violent flight.

New on Shudder and HIDIVE

Genre: Horror anime
Run time: 1h 31m
Director: Toyoo Ashida
Cast: Kaneto Shiozawa, Michie Tomizawa, Seizō Katō

AMC Networks re-released a digitally remastered version of Toyoo Ashida’s classic anime film to celebrate its 40th anniversary in theaters in April, and is now offering it across both its anime and horror streaming services. Set in a far future where vampires rule the world, the action-packed film follows a mysterious vampire hunter hired to protect a woman from a vampire lord who wants her to be his next bride.

Genre: Action comedy
Run time: 1h 42m
Director: James Madigan
Cast: Josh Hartnett, Katee Sackhoff, Charithra Chandran

Basically Bullet Train but in the air, Fight or Flight casts Black Hawk Down and Penny Dreadful star Josh Hartnett as a disgraced Secret Service agent given the chance to clear his name by catching an elusive hacker known as the Ghost, who’s boarded a flight from Bangkok to San Francisco. Unfortunately, the plane is packed with assassins looking to kill the Ghost and anyone who gets in their way.

Genre: Musical romance
Run time: 2h 2m
Director: Timothy Scott Bogart
Cast: Jamie Ward, Clara Rugaard, Rupert Everett

West Side Story already did the decisive musical version of Shakespeare’s tragedy Romeo and Juliet, but this adaptation plays closer to the original text while adding a soundtrack full of original pop tunes to the tale of two feuding houses of Verona. Filmed on location in Italy, Juliet & Romeo’s high-profile supporting cast includes Jason Isaacs (Harry Potter, The White Lotus) as Lord Montague and Rebel Wilson (Bridesmaids, Pitch Perfect) as Lady Capulet.

Genre: Legal thriller
Run time: 1h 57m
Director: Donnie Yen
Cast: Donnie Yen, Cheung Chi Lam Julian, Michael Hui

Ip Man’s Donnie Yen directs and stars in this Chinese legal thriller loosely based on a real 2016 drug trafficking case. Yen plays detective Fok Chi-ho, who loses faith in policing and decides the better way to ensure criminals face justice is as a public prosecutor. The Prosecutor might be mostly courtroom drama, but there’s still plenty of action, combining old-school martial arts techniques with modern film technology.

Genre: Action thriller
Run time: 1h 43m
Director: Joe Carnahan
Cast: Kerry Washington, Omar Sy, Mark Strong

Eight years ago, Kyrah Owens (Kerry Washington of Scandal and Little Fires Everywhere) and Isaac Sarr (Omar Sy of Lupin and Jurassic World) joined a multinational special forces group dubbed Shadow Force, but they’ve left that life behind to raise their son. Their old boss (played by Mark Strong of Shazam! and Sherlock Holmes) doesn’t accept their resignation, and is trying to hunt them down.

Tomb Raider season 2: Lara Croft’s next arc explained by creator


Tomb Raider fans, bless them, spend a lot of time wondering how the series all syncs up. If the Lara Croft we saw in the original ’90s games is the same one as the rougher-around-the-edges Lara from the Survivor trilogy, then what happened in between to have it all make sense?

Luckily, answers appear on the horizon. Tomb Raider developer Crystal Dynamics has already paraded around a new design for Lara that incorporates her post-Survivor trilogy look with throwback costuming, a commitment to the “unified” timeline. But as far as the story goes, the new Tomb Raider: The Legend of Lara Croft is doing some major lift.

Earlier this month, showrunner Tasha Huo told Polygon that her goal for the Netflix animated series was to chart the gap between the Survivor trilogy and classic games. But Lara doesn’t get there by the end of season 1, even after defeating the Light, finding closure over the death of Conrad Roth, re-bonding with his daughter Camilla Roth, hugging it out with Jonah, and accepting her first pair of dual pistols. That’s because Huo knew that if the show was a hit there’d be more stories to tell, and she didn’t want OG Lara to suit up quite yet.

“I don’t want to just fast-track her to becoming classic Lara because it takes a lot to build that woman,” the showrunner says. “So season 2 will build upon what we’ve already seen and grow her even closer.”

Specifically, Lara will set off on a search for Sam, her filmmaker friend who first appeared in 2013’s Tomb Raider. Sam was working on a job “overseas,” last Jonah heard from her, but a dropped phone call from the old friend is enough to put Lara on high alert. The ending of season 1 only teases a few scant details of where the adventure may lead her: in Sam’s apartment, Lara finds signs of a struggle — a broken coffee mug, a tipped-over chair, a shattered picture frame — and a yarn board tying some stolen artifacts to a shady tracksuit-wearing dude with a scar and photos of cocaine.

Huo wasn’t ready to spoil any plot details, but says it’s carefully plotted so that Lara continues to grow and has room to venture on if Tomb Raider was to earn even more seasons. A top priority in season 2: Continue to draw out Lara’s sense of humor.

“Maybe she finds it in Sam,” Huo says. “Sam has a lighter personality. There’s also just a lot more for Lara to learn. So in success and in these infinite seasons, we get to explore all the lessons and how those adventures actually challenge her to take those increasing steps closer to being the woman we remember from the ’90s.”

For Huo, that classic version of Lara is also hyper-composed, in a way that she just isn’t at the stage of her life in which Tomb Raider: The Legend of Lara Croft is set. Yes, Lara Croft would rather raid a tomb than go to therapy — but Huo intends to help the character find her composure in the next archeology-fueled globetrotting mission. Just as the history-buff showrunner wants to inject Tomb Raider with tons of real history and culture specificity, she also wants to bang the drum for legit self-care.

“So much of that comes from meditation, balance, having all of these messy things inside you yet still somehow finding a way through calmness and self-composure,” Huo says. “I’m a big proponent of therapy and self-analysis as a way to just grow as a human being. It’s fantastic. And I’m glad Lara can do it. She hates therapy! So using adventure as therapy is a really great way for Lara to learn how to be better.”

The Futurama You Know and Love


Futurama returns for its 12th season July 29—a fact that just a few years felt like an impossibility. Thanks to Hulu, the oft-canceled and oft-revived series dropped its first new episodes in 10 years in 2023, and there are more to come even after this latest batch of 10. Its continuing existence is assured for now, so there’s only one question left to ask: is it still worth tuning in?

io9 watched the first six episodes for this (spoiler-free!) review, and the short answer is “yes.” There’s no new ground being broken here; taken as a whole, the episodes represent exactly what fans expect from Futurama, which is 31st century shenanigans galore revolving around the misfits of Planet Express. 

Also present as usual are clever plots that reflect on 21st century culture, which this time around includes NFTs—a concept still so confusing in the far future that only the kid characters fully understand it—as well as the perils of chatbots, toxic-positivity co-workers, and fast fashion. There are also more timeless themes, including childhood trauma (cleverly viewed through a lens that borrows heavily from Squid Game), animal rights, the search for family roots, and the difficulties in building friendships as an adult.

And, of course, there’s all the stuff that really makes Futurama, Futurama: the hilariously weird asides, the pun-laden product names, the momentary gross-outs, and the lightning-fast oddball references that make you want to rewind to double-check your own eyes. 

Along with that goes the fantastic cast, especially John DiMaggio as Bender, who finds ways to make even his character’s well-worn catchphrases sound funny every time, but also Billy West (who plays Fry, Professor Farnsworth, Zapp Brannigan, and Zoidberg), Katey Sagal (Leela), Phil LaMarr (Hermes), Lauren Tom (Amy), and the flexibly voiced Tress MacNeille, Maurice LaMarche, and David Herman as various other characters. There are, as always, guest stars in season 12, but we won’t spoil their reveals here.

Season 12 of Futurama, created by Matt Groening and developed by Groening and David X. Cohen, debuts July 29 on Hulu; it’s a weekly episode drop, so you’ll have to wait until the end of September  if you want to binge it all at once.

Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.